08:00
09:00
10:00
11:00
12:00
13:00
14:00
15:00
16:00
17:00
18:00
›8:30 (15min)
8:30 - 8:45 (15min)
Welcome
8:45 - 10:15 (1h30)
Recordings and their reception
C106
› Seeing reggaeton through the lenses of Spanish music criticism
- Marina Arias Salvado, Universidad Complutense de Madrid = Complutense University of Madrid [Madrid]
08:45-09:15 (30min)
› Rethinking Sound Hyperreality in Popular Music Studies
- Roquer Jordi, Universitat Autònoma de Barcelona = Autonomous University of Barcelona = Universidad Autónoma de Barcelona
09:15-09:45 (30min)
› Recorded Music and the Policing of Multivocality: The Case of Fousheé
- Chris Tonelli, University of Groningen
09:45-10:15 (30min)
8:45 - 10:15 (1h30)
Recordings and politics
C115
› Rock In Opposition: bringing together ideology and aesthetics in the recording studio
- Jacopo Costa, ACCRA
08:45-09:15 (30min)
› “Not a tank, but a Recreational Utility Vehicle” The use of popular music by the conflict partners' armies in the ongoing Russian war on Ukraine
- David-Emil Wickström, Popakademie Baden-Württemberg
09:15-09:45 (30min)
› The rebellion power of pop - An exploration of popular music in Hong Kong during abeyance after 2019 movement
- Sharon Lam, University of Leeds
09:45-10:15 (30min)
8:45 - 10:15 (1h30)
Recording and the music economy
C203
› PANEL - Recording at the Intersection of Film Music and Popular Music: Patterns of Production, Consumption and Commodification in the Golden Age of Italian Cinema (1958-76)
- Corbella Maurizio, Università degli Studi di Milano = University of Milan - Alessandro Bratus, Università degli Studi di Pavia = University of Pavia - Guglielmo Bottin, Alma Mater Studiorum Università di Bologna = University of Bologna - Alessandro Cecchi, University of Pisa - Università di Pisa - Giuliani Danieli, Università degli Studi di Milano = University of Milan - Martin Nicastro, Università degli Studi di Pavia = University of Pavia
08:45-10:15 (1h30)
8:45 - 10:15 (1h30)
Recordings and their reception
C204
› PANEL - Proposing, Writing and Editing for Bloomsbury's 33 1/3 Series
- Samantha Bennett, The Australian National University - Fabian Holt, Roskilde Universitet [Roskilde] - C.C. McKee, Bryn Mawr College - Jacopo Tomatis, Università degli studi di Torino = University of Turin - Brooke Okazaki, Carleton College
08:45-10:15 (1h30)
8:45 - 10:15 (1h30)
Sound recording as an investigative technique or as writing
C110
› Recording the Groove of Gammeldans: Experimental and artist-led techniques to explore timing in accordion dance music virtuosity
- Daniel Fredriksson, Dalarna University - Totte Mattsson, Dalarna University
08:45-09:15 (30min)
› Recording material conditions of rehearsal space as a methodological strategy
- Martin Lussier, Université du Québec à Montréal = University of Québec in Montréal
09:15-09:45 (30min)
› Vernacular Modernism during the Birth of Recording: Computational Approaches to the History of Tin Pan Alley
- Samuel Backer, University of Maine
09:45-10:15 (30min)
8:45 - 10:15 (1h30)
Recording popular music and global cultural diversity
C113
› (Re)Covering the “Empire”? Hyperphonography and identity in Latin American tribute bands of the Spanish folk metal group Mägo de Oz
- Diego Garcia-Peinazo, Facultad de Filosofía y Letras - Universidad de Córdoba
08:45-09:15 (30min)
› Musical Diaspora and Cultural Identity: Examining the Journey of Más allá de la Bossa Nova
- Ana Barbosa, University of Barcelona
09:15-09:45 (30min)
› 1968 "Non illuderti mai" translation and permutation of a pop song in the Italian, French and English Environment
- Santoro Lorenzo, S. Giacomantonio
09:45-10:15 (30min)
8:45 - 10:15 (1h30)
Recording as a text for analysis
C116
› Les lost sessions comme répertoire d'analyse : l'exemple des séances de Miles Davis au Columbia studio en 1978.
- Guillaume Dupetit, Littératures, Savoirs et Arts - Kevin Dahan, Littératures, Savoirs et Arts
08:45-09:15 (30min)
› First recordings of Punto cubano: sound recordings as a source of study
- Amaya Carricaburu Collantes, Valencia International University
09:15-09:45 (30min)
› Aspects of Tactus in Early Country Blues Recordings: Technical and ethical considerations
- William Echard, Carleton University
09:45-10:15 (30min)
8:45 - 10:15 (1h30)
Recording practices, mediations and intermediaries
C109
› From Big Bands to Urban Emotional Staging: The Importance of Acoustic Space in Recording and Technological Shifts in Reggaeton Production in Medellín
- Carlos Caballero, Institución Universitaria ITM
08:45-09:15 (30min)
› Sound Media As Transmediating Tools: Popularizing Litgit (Bowed Bamboo Instrument) Music of the Panay Bukidnon Indigenous Community Through Recording-Based Pedagogical Materials and Contemporary Music
- JOSE JR. TATON, University of the Philippines Visayas
09:15-09:45 (30min)
› Fetishism and retro-technology in digital native music producers: Connections between Spain and Latin America
- Carlos Caballero, Institución Universitaria ITM - Marco Juan de Dios Cuartas, Universidad Complutense de Madrid
09:45-10:15 (30min)
8:45 - 10:15 (1h30)
Recording and gender studies
C111
› “Uncle Johnny Made My Dress”: Beyoncé, Renaissance, and Capitalization of Black Queer Cultures
- Lauron Kehrer, Western Michigan University [Kalamazoo]
08:45-09:15 (30min)
› Silent No More: The Power of Women's Voices in Recordings of Local Traditions
- Julia Escribano, Universidad de Valladolid
09:15-09:45 (30min)
› “¿Me sabrán disculpar si me pongo bélica?”: Empowerment, sexuality and deception according to Cazzu and La Joaqui
- Guido Saa, Instituto de Investigaciones Gino Germani [Buenos Aires], Facultad de Ciencias Sociales [Buenos Aires]
09:45-10:15 (30min)
›10:15 (30min)
10:15 - 10:45 (30min)
Coffee break
›10:45 (45min)
Keynote session: Culture, Commerce, and Authenticity: Black British Recordings in Context
Mike Alleyne
Mike Alleyne
› Amphithéâtre
10:45 - 11:30 (45min)
Keynote session: Culture, Commerce, and Authenticity: Black British Recordings in Context
Amphithéâtre
Mike Alleyne
›11:30 (15min)
11:30 - 11:45 (15min)
Break
11:45 - 13:15 (1h30)
Recording as a medium
C203
› PANEL - Recording(s) as Episteme. How sound carriers shape(d) Popular Music Studies at Humboldt University Berlin
- Christina Dörfling, Humboldt University, Berlin - Penelope Braune, Humboldt University, Berlin - Christopher Klauke, Max Planck Institute for the History of Science
11:45-13:15 (1h30)
11:45 - 13:15 (1h30)
Recording practices, mediations and intermediaries
C204
› PANEL - Cassette cultures in South America
- Laura Jordan Gonzalez, Pontificia Universidad Católica de Valparaíso - Javier Rodríguez Aedo, Pontificia Universidad Católica de Valparaíso - Julio Mendívil, Universität Wien - Marita Fornaro, Universidad de la República
11:45-13:15 (1h30)
11:45 - 13:15 (1h30)
Joni Mitchell
C106
› It Sounded Like Applause: Music, Sound and Imagined Lives in Joni Mitchell's Inside Songs
- Richard Elliott, Newcastle University [Newcastle]
11:45-12:15 (30min)
› "Lesson in Survival: Joni Mitchell Goes Her Own Way, Again"
- Norma Coates, University of Western Ontario
12:15-12:45 (30min)
› “Remixing ‘Marcie': Comparing Recordings of Joni Mitchell's Early Style”
- Taylor Greer, Pennsylvania State University
12:45-13:15 (30min)
11:45 - 13:15 (1h30)
Recordings and their reception
C110
› The absence of music (recordings): Student responses to a ‘No Music Listening Challenge'
- Rebecca Rinsema, Northern Arizona University [Flagstaff]
11:45-12:15 (30min)
› The recording of popular music in graphic novels: approach to three cases
- Cristian Guerra-Rojas, Universidad de Chile = University of Chile [Santiago]
12:15-12:45 (30min)
› TikTok and Hyperlistening: The Transmedial Modular Materiality of Pop in the Age of Social Media
- Anders Reuter, Lund University
12:45-13:15 (30min)
11:45 - 13:15 (1h30)
History of the phonographic industry
C109
› The jazz record on BBC radio 1922 to 1972
- Tim Wall, Birmingham City University
11:45-12:15 (30min)
› Traces phonographiques de la vie musicale au Québec : les registres de la compagnie Compo, 1921-1949
- Sandria P. Bouliane, Université Laval
12:15-12:45 (30min)
› Toward a genealogy of quantization and post-production in popular music: The proto-digitality of piano roll production.
- Steffen Just, Universität Bonn = University of Bonn
12:45-13:15 (30min)
11:45 - 13:15 (1h30)
Recording and liveness, recording and performance
C111
› Phaedra at 50 and the band as brand: heritage, nostalgia, legitimacy, and aura
- Chris Anderton, Southampton Solent University
11:45-12:15 (30min)
› The New Album Europe Tour 2025
- Sydney Schelvis, University of Amsterdam [Amsterdam] = Universiteit van Amsterdam
12:15-12:45 (30min)
› Musical Asceticism in Kino's Recordings and Re-recordings
- Sangheon Lee, Gustave Eiffel University
12:45-13:15 (30min)
11:45 - 13:15 (1h30)
Recording as a sound processing technique
C116
› Human After All: Giorgio Moroder, Daft Punk's Random Access Memories, and the discourse on technology and creativity in record production
- Carlo Nardi, Free University of Bozen-Bolzano
11:45-12:15 (30min)
› Malfunction as Queer Failure: The Anti-Telos of the Glitch
- Rory Fewer, University of California [Riverside]
12:15-12:45 (30min)
› Nostalgia for a Past That Never Existed? The use of analog gear when there are other options available
- Jeremy Vachet, Laboratoire des Sciences de l'Information et de la Communication
12:45-13:15 (30min)
11:45 - 13:15 (1h30)
Online live music
C115
› Platformization and Enjoyment of Live-streamed Music Events
- Francesco D'Amato, Università degli Studi di Roma
11:45-12:15 (30min)
› Being Live in the Metaverse: Recorded Music in the Age of Web 3.0
- Vincent Granata, Nantes Université - UFR Lettres et Langages
12:15-12:45 (30min)
› Fifty shades of the same song. Music circulation and versioning in the age of the Web
- Loïc Riom, Université de Lausanne = University of Lausanne
12:45-13:15 (30min)
11:45 - 13:15 (1h30)
Recording popular music and global cultural diversity
C113
› Embodying Memory Through Music: The Finnish Tatars
- Ayhan Erol, Dokuz Eylül University
11:45-12:15 (30min)
› The Sampling and Production of Beats in Hip-hop Music and the Reflection of Chinese Music Elements in Hip-hop Music Production
- ZiQi Xu, Shanghai Conservatory of Music
12:15-12:45 (30min)
› "Mighty Dreams & Southern Scenes: Listening to Pharrell Williams, Black Virginians and Ambition”
- Danielle Davis, Florida State University [Tallahassee]
12:45-13:15 (30min)
›13:15 (1h15)
13:15 - 14:30 (1h15)
Lunch
14:30 - 16:00 (1h30)
General Meeting
Amphithéâtre
IASPM
›16:00 (30min)
16:00 - 16:30 (30min)
Break
16:30 - 18:00 (1h30)
Recording and artificial intelligence
C106
› Slime, Resonance, and Recording: on Slime Language (2018)
- L Holland, University of Bristol [Bristol]
16:30-17:00 (30min)
› The Emergence and Potential Decline of Cloud-Based Sample Platforms
- Vemund Hegstad Alm, University of Oslo - Ragnhild Brøvig, University of Oslo
17:00-17:30 (30min)
› Protecting Human Creativity in AI-Generated Music with the Introduction of an AI-Royalty Fund
- Sabine Jacques, University of Liverpool - Mathew Flynn, University of Liverpool
17:30-18:00 (30min)
16:30 - 18:00 (1h30)
Recording popular music and global cultural diversity
C203
› PANEL - Decentering Popular Music Studies: Transnational Flows and Global Agencies in Asia
- Adil Johan, University of malaya - Xin Ying Ch'ng, UCSI University - Lara Katrina Mendoza, Ateneo de Manila University
16:30-18:00 (1h30)
16:30 - 18:00 (1h30)
Recording as a sound processing technique
C204
› PANEL - Audio and Sound Engineering as Process: Inclusive Pedagogies of Technology, Music and Production
- Amandine Pras, Conservatoire national supérieur de musique et de danse de Paris - Liz Przybylski, University of California, Riverside - Emmanuelle Olivier, Centre Georg Simmel - Kolawole Ganikale, University of York - Jordie Shier, Queen Mary, University of London
16:30-18:00 (1h30)
16:30 - 18:00 (1h30)
Recording practices, mediations and intermediaries
C109
› Cleaning Up Rap Recordings for Radio
- Amy Coddington, Amherst College
16:30-17:00 (30min)
› EBOY1: Ellen plays bass
- Tobias Marx, University of Erfurt
17:00-17:30 (30min)
› “Tone is in the Hands!” - The Narrative (De-)Construction of Guitar Recording Myths, exemplified on the YouTube Channel SpectreSoundStudios
- Sidney König, Carl Von Ossietzky Universität Oldenburg = Carl von Ossietzky University of Oldenburg
17:30-18:00 (30min)
16:30 - 18:00 (1h30)
Recording and liveness, recording and performance
C110
› Collaborative composition approaches for Balinese gamelan on screen and stage
- Joshua Robinson, Australian National University
16:30-17:00 (30min)
› ‘And a little Baile Funk' – writing formulaic songs in standardised environments? Songwriting camps and the writing of Eurovision Song Contest entries
- Katherine Williams, University of Huddersfield - Carsten Wernicke, Leuphana University Lueneburg
17:00-17:30 (30min)
› Heilung's Lifa: the audiovisual experience in a performance's recording
- Elise Girard-Despraulex, Faculté de musique - Université Laval, CEAC - Université de Lille
17:30-18:00 (30min)
16:30 - 18:00 (1h30)
Recording popular music and global cultural diversity
C113
› Capturing Authenticities: The Nueva Canción of the Southern Cone Between Archiving the Marginalized and Disseminating Emancipatory Discourses
- Annika Rink, Universität Kassel [Kassel]
16:30-17:00 (30min)
› Alternative Expressions of Chineseness: Dow Wei's Electronic Dance Music
- Ko-Hua Hung, University of California , Davis
17:00-17:30 (30min)
› A Missão de Pesquisas Folclóricas : la pratique de l'enregistrement comme résistance aux silences postcoloniaux dans la formation des musiques populaires brésiliennes au XXe siècle
- Chloé NAMBOT, Université fédérale du Parana, Curitiba - département de philosophie (janvier 2023-juin 2023), Centre Atlantique de Philosophie
17:30-18:00 (30min)
16:30 - 18:00 (1h30)
Music in times of COVID
C111
› Familiarity Breeds Content: Tom Rosenthal, Viral Nostalgia, and a ‘Home' for Coronamusic.
- Lou Aimes-Hill, University of Leeds
16:30-17:00 (30min)
› “Please Tag Me!” Platformization Practices of Busking in Times of the (Post)Pandemic
- Ptatscheck Melanie, New York University | Leuphana University Lüneburg
17:00-17:30 (30min)
› Coffee Shop Ambience Music Videos. Suggestion and emotional self-care during the Coronavirus pandemic
- Sara Revilla Gútiez, Escola Superior de Música de Catalunya
17:30-18:00 (30min)
16:30 - 17:30 (1h)
Recordings and their reception
C115
› “I was singing to the Rolling Stones as soon as I could talk”: Contemporary Learning of the Rock Canon
- Charlotte Markowitsch, Royal Melbourne Institute of Technology University
16:30-17:00 (30min)
› Joteria Listening: Oral History, Pop Music in Spanish, and Listening Practices of LGBTQ Latinx (Jotería) Communities in Los Angeles
- Eddy Francisco Alvarez Jr, California State University [Fullerton]
17:00-17:30 (30min)
16:30 - 18:00 (1h30)
From recording to data and streaming platforms
C116
› “Nostalgic Echo”: Why Do Chinese Adolescents Prefer Low-Quality Audio of Henan Opera?
- Shang Gao, Communication University of China
16:30-17:00 (30min)
› Echoes of the Past: Lo-fi Hip Hop in the Streaming Age and New Listening Trend
- Kyoung Hwa Kim, Hanyang University - Suin Park, Hanyang University
17:00-17:30 (30min)
› Nostalgia Mode At Play: Saltburn Club Nights and The Shaping of a Platformed Past
- Max Kaplan, University of Wisconsin-Madison
17:30-18:00 (30min)
