Recording practices, mediations and intermediaries
C109
› Piero Umiliani at the Sound Work Shop Studio: Recording and Exploiting Music in the 1960s and 1970s Italian Media Landscape - Niccolò Galliano, Università degli Studi di Milano = University of Milan
09:00-09:30 (30min)
› The Transition from Musicians to Independent Producers and Studio Owners in Spanish Rock Music Since 1980 - Pablo Espiga, Universidad Complutense de Madrid = Complutense University of Madrid [Madrid]
09:30-10:00 (30min)
› Windows onto a Radio City - Richard Anderson, University of Liverpool, Institute of Popular Music - Nina Himmelreich, University of Liverpool, Institute of Popular Music
10:00-10:30 (30min)
› Jungle as Post-Rave - Angus Maclaurin, Royal Melbourne Institute of Technology
09:00-09:30 (30min)
› Les traces des émotions dans les concerts de Mylène Farmer - Isabelle Marc, Universidad Complutense de Madrid
09:30-10:00 (30min)
› Cause, baby, when I heard you... Kylie Minogue, iPod, and the Poetics/Aesthetics of Y2K Recorded Sound Data - Konrad Sierzputowski, University of Warsaw
10:00-10:30 (30min)
› Digitally Augmented Guitar Tablatures as Pseudo-Recordings of popular music compositions - Alexandre D'Hooge, Centre de Recherche en Informatique, Signal et Automatique de Lille - UMR 9189
09:00-09:30 (30min)
› Tin Pan AI. Re-Engineering the Compositional and Producing Logic of commercial Music GAI (Generative Artificial Intelligence) via (Phono)musicological Analysis and Experimental Prompting - Sebastian Schwesinger, Martin-Luther-Universität Halle-Wittenberg - Alan Van Keeken, Martin-Luther-Universität Halle-Wittenberg
09:30-10:00 (30min)
› Voice of the Past, Sound of the Future: Legal and Industry Implications of Generative AI in Music - Patryk Galuszka, University of Lódź = Uniwersytet Łódzki
10:00-10:30 (30min)
Recording popular music and global cultural diversity
C113
Michaël Spanu
› Entangled between hardware and software infrastructure: Assamese Popular music making in studios in Guwahati, Assam - Gogoi Dishanka, University of California, Merced
09:00-09:30 (30min)
› Masterpieces Produced under Abnormal Conditions: Korean Pop Records in 1973 - Hyunjoon Shin, Sungkonghoe University
09:30-10:00 (30min)
› Pop-Rock and the Global Transformation of Musicking - Motti Regev, The Open University of Israel
10:00-10:30 (30min)
› The Tension Between Text and Perspective: Re-Examining Progressive Rock's Narrative Complexity through The Wall - Xiaodan Zhang, Shanghai Conservatory of Music
09:00-09:30 (30min)
› The 'Grace Jones Sound' on and off the record - Isaac Milhofer, The University of Manchester
09:30-10:00 (30min)
› Sleater-Kinney's Dig Me Out and the Poetics of the Studio - Asbjorn Gronstad, University of Bergen
10:00-10:30 (30min)
› La playlist numérique comme dispositif de subjectivation : pour une poétique du commissariat - Stéphane Girard, Université de Hearst
09:00-09:30 (30min)
› Subjectivity, Culture and the Datafication of Music - David Hesmondhalgh, University of Leeds
09:30-10:00 (30min)
› Sound Bias: the impact of Spotify's royalty distribution policy on listener consumption patterns - Gordon Dimitrieff, Antwerp Management School
10:00-10:30 (30min)
Dramaturgy and imagination in rock and metal music
C115
Christophe Pirenne
› « Another thing comin' » – La dramaturgie de la musique metal comme une circulation entre enregistrement et live - NICOLAS WAGNER, Université Sorbonne Nouvelle - Paris 3 - Département : Institut d'Etudes Théâtrales
09:00-09:30 (30min)
› Addressing and representing the audience in arena rock: authority and deference in recorded and live music - Marion Brachet, Université Sorbonne Nouvelle / IRMÉCCEN
09:30-10:00 (30min)
› PANEL - "J'ai Deux Amours”: Recording Pop Music's Queer Articulations - Alyxandra Vesey, University of Alabama - Amy Skjerseth - Sam Murray
09:00-10:30 (1h30)
› The Imagined Things: On Solange, Repetition and Mantra - Kwame Phillips, University of Southampton
14:00-14:30 (30min)
› From Coldplay to Purcell: Music Videos as a Bridge Between Classical and Popular Music - Kyung Young Chung, Hanyang University
14:30-15:00 (30min)
› The Role of Popular Music in the Marvel Cinematic Universe: Guardians of the Galaxy (2014) - Martín Carla, Universidad de Oviedo = University of Oviedo
15:00-15:30 (30min)
› How We're Hooked: A Framework for Analysing Hooks in Pop Music - Jadey O'Regan, University of Sydney - Tim Byron, University of Wollongong
14:00-14:30 (30min)
› The unknown details in the song 'Yesterday' by the Beatles - Jan Hemming, University of Kassel
14:30-15:00 (30min)
› Neoriemannian interpretations of Chano Domínguez's improvised solos: Jazz and Flamenco in dialogue - Rosa María García Mira, Universidad Complutense de Madrid
15:00-15:30 (30min)
› Listening Again to Echo: The Aesthetics of Pop and British Postwar Anxieties - Matthew Ord, Newcastle University [Newcastle]
14:00-14:30 (30min)
› The reception and performance of recorded music in queer women's clubs - Katherine Griffiths, Royal Holloway [University of London]
14:30-15:00 (30min)
› Seeing reggaeton through the lenses of Spanish music criticism - Marina Arias Salvado, Universidad Complutense de Madrid = Complutense University of Madrid [Madrid]
15:00-15:30 (30min)
Recording popular music and global cultural diversity
C113
Claude Chastagner
› Records of a different sounding Peruvian past. Domestic reissue labels as decolonial options. - Agustina Checa, Lehman College [CUNY]
14:00-14:30 (30min)
› The fandango and safeguarding with Papagaio Loro Records - Ana Paula Coelho, Ana Paula dos Santos Coelho, UNESPAR
14:30-15:00 (30min)
› “Staying all true to the borough”? Hip-Hop heritage, tourism and urban change in New York - Séverin Guillard, Habiter le Monde - UR 4287
15:00-15:30 (30min)
› Who owns this Voice? The Afterlife of Singers in the Age of Generative Technology - Ginger Dellenbaugh, The New School
14:00-14:30 (30min)
› Sakamoto of Bits and Pieces: Recordings as the Material That Musicians Are Made of - Oliver Seibt, University of Amsterdam
14:30-15:00 (30min)
› Towards an Aesthetics of Digital Emotion: Examining Emotion in AI Music Composition Process - Emmie Head, UCLA Department of Musicology, IASPM-US
15:00-15:30 (30min)
› PANEL - International networks of national(-ist) music culture: Intermediaries of popular music recording during the Nazi regime - Jose Galvez, Universität Bonn = University of Bonn, Universität Greifswald - University of Greifswald - Franziska Kollinger, Universität Greifswald - University of Greifswald - Sean Prieske, Paris-Lodron-Universität Salzburg = Paris-Lodron-University of Salzburg
14:00-15:30 (1h30)
› From Fandom to Brandom: The Commodification of UGC in Video Games - Febrer Coll Eulalia, Universidad Internacional de la Rioja
14:00-14:30 (30min)
› Composing the music of video games: Negotiating a complex technological and sociocultural environment of popular music - Yngvar Kjus, University of Oslo, Department of Musicology - Fabian Stordalen, University of Oslo, Department of Musicology
14:30-15:00 (30min)
› A Different Kind of Recording: Preserving, Emulating and Analysing Early Video Game Music - Mattia Merlini, Università degli Studi di Milano = University of Milan
15:00-15:30 (30min)
› PANEL - Ukrainian Popular Music in Times of War: National Identity, LGBTQ+ Representation, and International Projections - Marco Biasioli, University of Manchester - Glew Anna, University of Liverpool - Shuvalova Iryna, University of Oslo
14:00-15:30 (1h30)
Recording practices, mediations and intermediaries
C109
Oded Erez
› How Storage Conventions Shape Creativity, Collaboration, and New Works: Preliminary Findings from an Ethnographic Analysis of Music Studios - Taylor Price, New York University
16:00-16:30 (30min)
› Beyond Representation: Fabricating Immediacy in Recent Pop Songs - Caleb Herrmann, University of Chicago
16:30-17:00 (30min)
› On the Record: Talking about Vinyl and Its Role in Wellington's Urban Imaginary - Geoff Stahl, Victoria University of Wellington
17:00-17:30 (30min)
Recording popular music and global cultural diversity
C203
› PANEL - Recording and Records in the Chinese Popular Music Scene: From the (Re)Appropriation of Foreign Rubbish to Global Export - Nathanel Amar, The University of Hong Kong - Grégoire Bienvenu, Institut de Recherche Médias, Cultures, Communication et Numérique - Lei Peng, University of Liverpool
16:00-17:30 (1h30)
› PANEL - The Fairlight CMI: History, Technology, Ideology - Samantha Bennett, The Australian National University - Paul Harkins, Edinburgh Napier University - Leah Kardos, Kingston University [London] - Manuella Blackburn, Keele University [Keele]
16:00-17:30 (1h30)
› Rococo-style Vocals and Multitrack Recording Practice: Mariah Carey's Studio Performance in Butterfly - Jinhao Liu, Shanghai Conservatory of Music
16:00-16:30 (30min)
› "Vocalese as Mediation: Reinterpreting Recorded Music from Miles Davis to Michael Mayo" - Ellie Martin, University of Toledo
16:30-17:00 (30min)
› Implementation of “salience” in music analysis assignments - Sirman Berk, Dalarna University, Stockholm University
17:00-17:30 (30min)
› Engineered inequity: Music streaming taxonomies as ruinous infrastructure - CAMPOS VALVERDE Raquel, University of Leeds
16:00-16:30 (30min)
› Digital Transformation and the Impact of Streaming on Popular Music in Emerging Markets - Ofochebe Kenechukwu Obinna, University of Agder
16:30-17:00 (30min)
› Exploring the creative autonomy of afrobeats artists in the music streaming era - Laura Etemah, University of Groningen [Groningen]
17:00-17:30 (30min)
› Can AI Prompt a Revolution in Master Rights Ownership? - Richard Osborne, University of Glasgow
16:00-16:30 (30min)
› From recorded sound to generated sound: a consideration of ontology and practices of popular music production with generative audio artificial intelligence - Lorenz Gilli, University of Siegen = Universität Siegen [Siegen]
16:30-17:00 (30min)
› “It does the science for you” – Machine listening and personalization in music production - Max Alt, Universität Bonn = University of Bonn
17:00-17:30 (30min)
› “With recording, it was emancipation for the people”. About eye and ear in popular music discourse - Bernhard Steinbrecher, Leopold Franzens Universität Innsbruck - University of Innsbruck
16:00-16:30 (30min)
› La circulation et les écoutes du choro à travers la radio et le disque - Lúcia Campos, UEMG
16:30-17:00 (30min)
› The epic and the eclectic: the sound of contemporary progressive rock - Ivan Tan, Brown University
17:00-17:30 (30min)
› Reimagining Broadway With Live Television: A Case Study of The Wiz Live! - Ye Rin Kang, University of Edinburgh
16:00-16:30 (30min)
› Filmer le rock pour la télévision : entre enregistrement sonore et tournage live - Maxime Guebey, Centre d'études supérieures de la Renaissance UMR 7323
16:30-17:00 (30min)
› Cape Town Sinatras: Enlivened Recordings and Critical Nostalgia in Postapartheid Performance - Francesca Inglese, Northeastern University
17:00-17:30 (30min)
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C109
