› PANEL - Resonant Frequencies: National Identity, Musical Memory, and Artistic Activism in Southeast Asia - Rebekah Moore, Northeastern University - Jeremy Wallach, Bowling Green State University - Krina Cayabyab, University of the Philippines
09:00-10:30 (1h30)
› PANEL - Brazilian popular music, independent production and museum policies in the digital age - Sheyla Diniz, Universidade de São Paulo = University of São Paulo, Tulane University - Luiz Henrique Assis Garcia, Universidade Federal de Minas Gerais = Federal University of Minas Gerais [Belo Horizonte, Brazil] - Eder Wilker Pena, Universidade de São Paulo = University of São Paulo, CUNY Graduate Center
09:00-10:30 (1h30)
› Du standard au oldie : la reprise comme affirmation de l'autorité créatrice de l'enregistrement (1955-1958) - Claire Fraysse, Institut de Recherche en Musicologie
09:00-09:30 (30min)
› “Seasons in the Sun” – The many lives of a French/American/Canadian world hit - Henrik Smith-Sivertsen, Henrik Smith-Sivertsen, Royal Danish Library
09:30-10:00 (30min)
› Men wanted: Multimodal performance of masculinity in two French translations of Bob Dylan and Johnny Cash's "Wanted Man" - Jean-Charles Meunier, Université Polytechnique Hauts-de-France
10:00-10:30 (30min)
› Spanish punk discography: bands of women and queer people - María Alonso, Universidad de Oviedo = University of Oviedo
09:00-09:30 (30min)
› Recordings and Gender Inequality in the German Music Industry – an analysis of interviews with stake holders within the recording industry in Germany - Nina Himmelreich, University of Liverpool, Institute of Popular Music
09:30-10:00 (30min)
› From shoegazing to twerking: the discursive use of dance in Zahara's live performances - Sara Armada Díaz, University of Granada
10:00-10:30 (30min)
› Rentgenizdat, Magnitizdat, Samizdat: Grassroots Music Recording and Cultural Resistance in the Soviet Union - Ekaterina Ganskaya, Università degli studi di Torino = University of Turin
09:00-09:30 (30min)
› Indigenous popular music and pipeline protests in North America - Shanna Lorenz, Occidental College
09:30-10:00 (30min)
Enregistrement et live, enregistrement et performance
C106
Oliver Seibt
› The Politics of ‘Liveness': The Use of Recording in K-Pop Performance - Linzi Yang, The University of Birmingham
09:00-09:30 (30min)
› The transphonographic construction of myths, personas and (star) images in the production of popular music: An integrative analysis of the realm between concrete private person and unplannable puncta - Christoph Jacke, Universität Paderborn - Joshua Wick, Universität Paderborn
09:30-10:00 (30min)
› Drummer Fingerprints: Microtiming and Tempo Variability in Studio and Live Recordings - David Carter, Loyola Marymount University - Ralf Von Appen, mdw-Vienna
10:00-10:30 (30min)
› Immersive Music – Recording and Re-recording in Popular Music Production For Commercial Releas - Andrew Bourbon, (University of Huddersfield)
09:00-09:30 (30min)
› Psychedelic Aesthetics and the Art of DJing: Notes from the US Rave Underground - Victor Szabo, Hampden-Sydney College
09:30-10:00 (30min)
› Modern Analog Listening and the Transculturation of the Japanese Jazz Kissa - Mark Katz, University of North Carolina at Chapel Hill [NC, USA]
10:00-10:30 (30min)
› Uncertainty and challenges in the Peruvian recording industry - Sergio Pisfil, Universidad Peruana de Ciencias Aplicadas (Lima) - Juan Alberto Mata, Universidad Peruana de Ciencias Aplicadas
09:00-09:30 (30min)
› Music festivals and climate resilience in Australia - Catherine Strong, Royal Melbourne Institute of Technology University
09:30-10:00 (30min)
› Recording popular music in France: the industrialization of music throughout the 20th century - Marc Kaiser, Centre d\'études sur les médias, les technologies et línternationalisation
10:00-10:30 (30min)
› North American influences on early Spanish Folk Song recordings (1968-1975) - Ruth Piquer, Universidad Complutense de Madrid = Complutense University of Madrid [Madrid]
11:00-11:30 (30min)
› A Song “From the New World”: Recording Serge Gainsbourg at the time of Swinging London - Olivier Julien, Sorbonne Université - Faculté des Lettres - UFR Musique et musicologie
11:30-12:00 (30min)
› The Three Lives of “I'm New Here”: Recording Gentrification and Anti-Gentrification in Gil Scott-Heron's Final Album - Patch Justin, IASPM-US
12:00-12:30 (30min)
› ROUNDTABLE - Aya Nakamura: recording cultural diversity in contemporary France - Emmanuel Parent, Université de Rennes 2 - UFR Arts, Lettres, Communication - Jérémy Michot, Centre de Recherche sur les Sociétés et Environnements en Méditerranées
11:00-12:30 (1h30)
› PANEL - Resonant Recordings: Popular Music and Documenting (In)Justice - Áine Mangaoang, University of Oslo - Andy McGraw, University of Richmond, Virginia - Noah Krogsholm, University of Oslo - Ieva Gudaitytė, University of Oslo
11:00-12:30 (1h30)
› “Make the World Great Again”: Laibach and the re-recording of popular music classics as totalitarian anthems - Kimi Kärki, Uniarts Helsinki
11:00-11:30 (30min)
› Songs in the Key of Life: Stylistic Adaptation and the 1970s Music Industry - Justin Williams, University of Bristol
11:30-12:00 (30min)
› The Sparkling Shine of #cleancore: Exploring Music Genre on TikTok - Anders Bach Pedersen, University of Copenhagen = Københavns Universitet
12:00-12:30 (30min)
› Czechoslovak beat festival 1968. Newly discovered recordings shed light on old history - Aleš Opekar, Institute of Art History, Czech Academy of Sciences
11:00-11:30 (30min)
› Dominant and Alternative Repertoires of Lisbon's Brazilian Street Carnival: Curating Distinction through Live Reproductions of Popular Music Recordings in a Diasporic Festivity - Andrew Snyder, Universidade Nova de Lisboa
11:30-12:00 (30min)
› Music, identity and community in depopulated Spain: a map of festivals - Héctor Fouce, Universidad Complutense de Madrid = Complutense University of Madrid [Madrid]
12:00-12:30 (30min)
› Musical creativity when under pressure - Paolina Aquilino, University of Kassel
11:00-11:30 (30min)
› Recording Non-human Animals: Multispecies Music Memes as Popular Music - Pascal Rudolph, University of Cologne - Martin Ullrich, Nuremberg University of Music
11:30-12:00 (30min)
› ‘The state' of the radio: Competition, coordination, and production in the East German state music monopoly, 1971-1989 - Padraig Parkhurst, University of Melbourne
11:00-11:30 (30min)
› Records for Export: The SweMix and the Sounds of a Small Domestic Market - Eric Weisbard, University of Alabama [Tuscaloosa]
11:30-12:00 (30min)
› The Revival of 1970s–80s Japanese City Pop: Circulation in a Variegated Musical Economy - Noriko Manabe, Indiana University
12:00-12:30 (30min)
› Eras, empowerment and transition in the discography of Spanish singers: the cases of Zahara and Rosalía - Teresa Fraile, Universidad Complutense de Madrid = Complutense University of Madrid [Madrid]
11:00-11:30 (30min)
› “God is a chick”: Critiquing heteropatriarchal Christianity and hip hop through feminist lesbian rap - Inka Rantakallio, Helsingin yliopisto = Helsingfors universitet = University of Helsinki, Research Association Suoni
11:30-12:00 (30min)
› How does gender normativity effect emotion elicitation in music listening, including musical gestures? - Takahiro Miyauchi, Kyushu University - Hirofumi Ueta, Kyushu University
12:00-12:30 (30min)
› The Emergence of Taiwan's Grassroots Sounds in the Market: The field recording project capturing the “Sounds of Taiwan” inadvertently marked a crucial transformation in the development of Taiwanese popular music. - Chenching Cheng, Department of Journalism and Communication, Hong Kong Chu Hai College ; Shih Chia Wu, School of Journalism and Communication, Chinese University of Hong Kong
14:00-14:30 (30min)
› Latin goes jazz. Sound and visual representations of the Latin in Afro-Cuban jazz recordings (1945-1970) - Laura Sanz García, Universidad Carlos III de Madrid [Madrid]
14:30-15:00 (30min)
› Social Media Recordings as Narrative within the Historically Black College and University Ecosystem - Kevin Green, California State Polytechnic University [Pomona]
15:00-15:30 (30min)
› Listening to Vinyl Records in the Digital Age: Expanding Musical Narratives into Listeners' Bodies - Hyunseok Kwon, Hanyang University
14:00-14:30 (30min)
› Fever on Recordings: Theorising Fashao Audiophile Culture and Localized Sound Practice in Post-Mao China - DENG Haoxian, Hong Kong Baptist University
14:30-15:00 (30min)
› No shame, no scandal: four French recordings of a Caribbean track - Barbara Lebrun, The University of Manchester
15:00-15:30 (30min)
Pratiques, médiations et intermédiaires de l'enregistrement
C204
› PANEL - Metal Zines: Recording the Underground - Gerome Guibert, Université Sorbonne Nouvelle - Owen Coggins, Brunel University of London - Catherine Guesde, Université Paris 8
14:00-15:30 (1h30)
› ROUNDTABLE - Recording Leonard Cohen - David Shumway, Carnegie Mellon University, Robert De Young (Ph. D., independent filmmaker), Loren Glass (University of Iowa), Marcia Pally (New York University), Erin MacLeod (Vanier College, Montreal), Eric Weisbard (University of Alabama)
14:00-15:30 (1h30)
L’enregistrement sonore comme technique d’enquête ou d'écriture
C109
Sébastien Lebray
› Cultural record: music album as a teaching method in social sciences - Smółka Maciej, Uniwersytet Jagielloński w Krakowie = Jagiellonian University
14:00-14:30 (30min)
› L'usage des enregistrements discographiques, cassettes, et numériques dans les processus d'enseignement-apprentissage de la musique de gaita larga colombienne (1980 à aujourd'hui). - Arihana Villamil, École des hautes études en sciences sociales
14:30-15:00 (30min)
› Taking Astrology Seriously: Ethnomusicological Approaches to Music, Healing, and the Alignments of the Cosmos - Jose Vicente Neglia, University of Hong Kong
15:00-15:30 (30min)
De l’enregistrement aux data et à la plateformisation
C110
› How diverse are music streaming platforms? A comparison with radio broadcasters in Europe - Daniel Bedoya, Groupe d'Études et de Recherche Interdisciplinaire en Information et COmmunication - ULR 4073 - Antoine Henry, Groupe d'Études et de Recherche Interdisciplinaire en Information et COmmunication - ULR 4073
14:00-14:30 (30min)
› From Listening to Connection: The Evolution of Chinese Digital Music Platforms for ‘Online Music Socializing' - Manlin Wang, Communication University of China
14:30-15:00 (30min)
› The Work of the Album in the Age of Streaming Platforms - Jack Melton, University of Melbourne
15:00-15:30 (30min)
› Enregistrer l'harmonica : questions de méthodes et d'identités sonores - Alexandre PIRET, Université de Liège, Vrije Universiteit Brussel [Bruxelles], Fonds National de la Recherche Scientifique [Bruxelles]
14:00-14:30 (30min)
› What makes a violin sound folk in style? Some considerations based on fieldwork in Castilla y León (Spain), the creation of a multimedia glossary and musical recordings - Ainhoa Muñoz, Musicology Department. Complutense University of Madrid
14:30-15:00 (30min)
› Hawai‘i in Stereo: Cinerama, Stereophonic Sound, and Hawaiian Statehood - Manan Desai, University of Michigan
14:00-14:30 (30min)
› The intermediation of Spanish musical cinema in the debate on flamenco: two films starring singers Antonio Molina and Rafael Farina - CELSA ALONSO, Universidad de Oviedo = University of Oviedo
14:30-15:00 (30min)
› Recording Environmental Shifts in Popular Music: The Long View - Kathryn Cox, Liverpool Hope University
14:00-14:30 (30min)
› "Mother Nature, You're Just Showing Off Now" – A Wildlife Documentary Turned Pop Recording - Helene Elisabeth Heuser, Justus-Liebig-Universität Gießen
14:30-15:00 (30min)
› Monterey, Woodstock, Maui: Jimi Hendrix video recordings as countercultural communal representation - Victor Arul, Harvard University
16:00-16:30 (30min)
› Making Politics, Recording Records: an Atlas of Antagonist Discography - Jacopo Tomatis, Università degli studi di Torino = University of Turin
16:30-17:00 (30min)
› Sounding Divides: Recorded Music and Affective Polarization in Protest Movements - Melanie Schiller, Radboud university [Nijmegen]
17:00-17:30 (30min)
› Sous l'enregistrement la musique. Enjeux ontologiques et esthétiques de la reprise acoustique. - Thomas Mercier-Bellevue, Centre Victor Basch, Académie de Lille
16:00-16:30 (30min)
› How TikTok is “speding-up” the popular music industry: creators, practices and virality of the sped-up remix versions - Eduardo Vinuela, Universidad de Oviedo = University of Oviedo - Cande Sánchez-Olmos, University of Alicante
16:30-17:00 (30min)
› The Semiotic Power of Techno Music: An Ethnography Exploration - Michele Dentico, Università degli Studi di Roma "La Sapienza" = Sapienza University [Rome]
16:00-16:30 (30min)
› L'enregistrement sonore, une réévaluation phénoménologique en danse flamenca - Corinne Frayssinet Savy, Institut de Recherche en Musicologie, Représenter, Inventer la Réalité du Romantisme à lÁube du XXIe siècle
16:30-17:00 (30min)
› Home Is Where the #Shanties Are: Recording Songwriters, Rockers, and Shanty Bands in Cornwall - Nicholas Booker, The Ohio State University [Columbus]
16:00-16:30 (30min)
› The Impact of Socioeconomic Development on Hong Kong's Recording Studios: 1997-2024 - Edmond Tsang, Hong Kong Baptist University
16:30-17:00 (30min)
Chargement... 
C203
