Enregistrer les musiques populaires - Recording popular music

8:40 - 9:00 (20min)

Welcome

9:00 - 10:30 (1h30)

Recording popular music and global cultural diversity

C203

› PANEL - Resonant Frequencies: National Identity, Musical Memory, and Artistic Activism in Southeast Asia - Rebekah Moore, Northeastern University - Jeremy Wallach, Bowling Green State University - Krina Cayabyab, University of the Philippines 09:00-10:30 (1h30)

9:00 - 10:30 (1h30)

Recorded music as heritage in exhibitions and museums

C204

› PANEL - Brazilian popular music, independent production and museum policies in the digital age - Sheyla Diniz, Universidade de São Paulo = University of São Paulo, Tulane University - Luiz Henrique Assis Garcia, Universidade Federal de Minas Gerais = Federal University of Minas Gerais [Belo Horizonte, Brazil] - Eder Wilker Pena, Universidade de São Paulo = University of São Paulo, CUNY Graduate Center 09:00-10:30 (1h30)

9:00 - 10:30 (1h30)

Cover versions

C116

› Du standard au oldie : la reprise comme affirmation de l'autorité créatrice de l'enregistrement (1955-1958) - Claire Fraysse, Institut de Recherche en Musicologie 09:00-09:30 (30min)

› “Seasons in the Sun” – The many lives of a French/American/Canadian world hit - Henrik Smith-Sivertsen, Henrik Smith-Sivertsen, Royal Danish Library 09:30-10:00 (30min)

› Men wanted: Multimodal performance of masculinity in two French translations of Bob Dylan and Johnny Cash's "Wanted Man" - Jean-Charles Meunier, Université Polytechnique Hauts-de-France 10:00-10:30 (30min)

9:00 - 10:30 (1h30)

Recording and gender studies

C111

› Spanish punk discography: bands of women and queer people - María Alonso, Universidad de Oviedo = University of Oviedo 09:00-09:30 (30min)

› Les premières femmes du tango : la représentation du féminin à travers les disques - Marina Cañardo, École des hautes études en sciences sociales, Facultad de Filosofía y Letras 09:30-10:00 (30min)

› Recordings and Gender Inequality in the German Music Industry – an analysis of interviews with stake holders within the recording industry in Germany - Nina Himmelreich, University of Liverpool, Institute of Popular Music 10:00-10:30 (30min)

9:00 - 10:30 (1h30)

Politics and counterculture

C110

› Rentgenizdat, Magnitizdat, Samizdat: Grassroots Music Recording and Cultural Resistance in the Soviet Union - Ekaterina Ganskaya, Università degli studi di Torino = University of Turin 09:00-09:30 (30min)

› Indigenous popular music and pipeline protests in North America - Shanna Lorenz, Occidental College 09:30-10:00 (30min)

9:00 - 10:30 (1h30)

Recording and liveness, recording and performance

C106

› The Politics of ‘Liveness': The Use of Recording in K-Pop Performance - Linzi Yang, The University of Birmingham 09:00-09:30 (30min)

› The transphonographic construction of myths, personas and (star) images in the production of popular music: An integrative analysis of the realm between concrete private person and unplannable puncta - Christoph Jacke, Universität Paderborn - Joshua Wick, Universität Paderborn 09:30-10:00 (30min)

› No Liam, Just Payne: The Complicated Nature of Parasocial Grief - Katherine Pattison, Royal Melbourne Institute of Technology University - Catherine Strong, Royal Melbourne Institute of Technology University - Jeri Karmelic, Royal Melbourne Institute of Technology University 10:00-10:30 (30min)

9:00 - 10:30 (1h30)

Recordings and their reception

C115

› Immersive Music – Recording and Re-recording in Popular Music Production For Commercial Releas - Andrew Bourbon, (University of Huddersfield) 09:00-09:30 (30min)

› Psychedelic Aesthetics and the Art of DJing: Notes from the US Rave Underground - Victor Szabo, Hampden-Sydney College 09:30-10:00 (30min)

› Modern Analog Listening and the Transculturation of the Japanese Jazz Kissa - Mark Katz, University of North Carolina at Chapel Hill [NC, USA] 10:00-10:30 (30min)

9:00 - 10:30 (1h30)

Recording and the music economy

C109

› Uncertainty and challenges in the Peruvian recording industry - Sergio Pisfil, Universidad Peruana de Ciencias Aplicadas (Lima) 09:00-09:30 (30min)

› Music festivals and climate resilience in Australia - Catherine Strong, Royal Melbourne Institute of Technology University 09:30-10:00 (30min)

› Recording popular music in France: the industrialization of music throughout the 20th century - Marc Kaiser, Centre d\'études sur les médias, les technologies et línternationalisation 10:00-10:30 (30min)

9:00 - 10:30 (1h30)

Recording and place

C113

› Favela Movement: Record Production Networks in Precarious Areas of Fortaleza, Brazil - Pedro MARRA, Universidade Federal do Espirito Santo 09:00-09:30 (30min)

› “Staying all true to the borough”? Hip-Hop heritage, tourism and urban change in New York - Séverin Guillard, Habiter le Monde - UR 4287 09:30-10:00 (30min)

› The Conflicting and Complementing Logics of Popular Music Making in Iceland - Jeremy Peters, Wayne State University [Detroit] 10:00-10:30 (30min)

10:30 - 11:00 (30min)

Coffee break

11:00 - 12:30 (1h30)

Recording as a text for analysis

C106

› North American influences on early Spanish Folk Song recordings (1968-1975) - Ruth Piquer, Universidad Complutense de Madrid = Complutense University of Madrid [Madrid] 11:00-11:30 (30min)

› A Song “From the New World”: Recording Serge Gainsbourg at the time of Swinging London - Olivier Julien, Sorbonne Université - Faculté des Lettres - UFR Musique et musicologie 11:30-12:00 (30min)

› The Three Lives of “I'm New Here”: Recording Gentrification and Anti-Gentrification in Gil Scott-Heron's Final Album - Patch Justin, IASPM-US 12:00-12:30 (30min)

11:00 - 12:30 (1h30)

Recording popular music and global cultural diversity

C203

› ROUNDTABLE - Aya Nakamura: recording cultural diversity in contemporary France - Emmanuel Parent, Université de Rennes 2 - UFR Arts, Lettres, Communication - Jérémy Michot, Centre de Recherche sur les Sociétés et Environnements en Méditerranées 11:00-12:30 (1h30)

11:00 - 12:30 (1h30)

Recording as a medium

C204

› PANEL - Ukrainian Popular Music in Times of War: National Identity, LGBTQ+ Representation, and International Projections - Marco Biasioli, University of Manchester - Glew Anna, University of Liverpool - Shuvalova Iryna, University of Oslo 11:00-12:30 (1h30)

11:00 - 12:30 (1h30)

Recording as a text for analysis

C110

› “I transcend genres, but I also helped create one”: an analysis of Charli XCX's metageneric universe - Ugo Fellone, Valencian International University 11:00-11:30 (30min)

› The Sparkling Shine of #cleancore: Exploring Music Genre on TikTok - Anders Bach Pedersen, University of Copenhagen = Københavns Universitet 11:30-12:00 (30min)

› Songs in the Key of Life: Stylistic Adaptation and the 1970s Music Industry - Justin Williams, University of Bristol 12:00-12:30 (30min)

11:00 - 12:30 (1h30)

Festivals

C115

› Czechoslovak beat festival 1968. Newly discovered recordings shed light on old history - Aleš Opekar, Institute of Art History, Czech Academy of Sciences 11:00-11:30 (30min)

› Dominant and Alternative Repertoires of Lisbon's Brazilian Street Carnival: Curating Distinction through Live Reproductions of Popular Music Recordings in a Diasporic Festivity - Andrew Snyder, Universidade Nova de Lisboa 11:30-12:00 (30min)

› Collective Listening and Ecological Activism through Sound Art: A Case Study of the 2022 Lisboa Soa Festival - Rita Santos Rita Santos, Universidade Nova de Lisboa = NOVA University Lisbon 12:00-12:30 (30min)

11:00 - 12:00 (1h)

Ageing

C116

› ‘Part of you pours out of me...': Exploring Ageing, Vocal Autobiography and Collaboration in Joni Mitchell, Brandi Carlile and Annie Lennox's 'Joni Jams' Performances - Emma Longmuir, Newcastle University [Newcastle] 11:00-11:30 (30min)

› “To age is a sin”: Madonna's audible disruptions of chrononormativity - Hannah Schiller, Department of Music, Yale University 11:30-12:00 (30min)

11:00 - 12:30 (1h30)

Recording as a medium

C113

› Musical creativity when under pressure - Paolina Aquilino, University of Kassel 11:00-11:30 (30min)

› Recording Non-human Animals: Multispecies Music Memes as Popular Music - Pascal Rudolph, University of Cologne - Martin Ullrich, Nuremberg University of Music 11:30-12:00 (30min)

› On the Record: Talking about Vinyl and Its Role in Wellington's Urban Imaginary - Geoff Stahl, Victoria University of Wellington 12:00-12:30 (30min)

11:00 - 12:30 (1h30)

Recording and the music economy

C109

› ‘The state' of the radio: Competition, coordination, and production in the East German state music monopoly, 1971-1989 - Padraig Parkhurst, University of Melbourne 11:00-11:30 (30min)

› Records for Export: The SweMix and the Sounds of a Small Domestic Market - Eric Weisbard, University of Alabama [Tuscaloosa] 11:30-12:00 (30min)

› The Revival of 1970s–80s Japanese City Pop: Circulation in a Variegated Musical Economy - Noriko Manabe, Indiana University 12:00-12:30 (30min)

11:00 - 12:30 (1h30)

Recording and gender studies

C111

› Eras, empowerment and transition in the discography of Spanish singers: the cases of Zahara and Rosalía - Teresa Fraile, Universidad Complutense de Madrid = Complutense University of Madrid [Madrid] 11:00-11:30 (30min)

› “God is a chick”: Critiquing heteropatriarchal Christianity and hip hop through feminist lesbian rap - Inka Rantakallio, Helsingin yliopisto = Helsingfors universitet = University of Helsinki, Research Association Suoni 11:30-12:00 (30min)

› How does gender normativity effect emotion elicitation in music listening, including musical gestures? - Takahiro Miyauchi, Kyushu University - Hirofumi Ueta, Kyushu University 12:00-12:30 (30min)

12:30 - 14:00 (1h30)

Lunch

14:00 - 15:30 (1h30)

Recording popular music and global cultural diversity

C113

› The Emergence of Taiwan's Grassroots Sounds in the Market: The field recording project capturing the “Sounds of Taiwan” inadvertently marked a crucial transformation in the development of Taiwanese popular music. - Chenching Cheng, Department of Journalism and Communication, Hong Kong Chu Hai College 14:00-14:30 (30min)

› Latin goes jazz. Sound and visual representations of the Latin in Afro-Cuban jazz recordings (1945-1970) - Laura Sanz García, Universidad Carlos III de Madrid [Madrid] 14:30-15:00 (30min)

› Social Media Recordings as Narrative within the Historically Black College and University Ecosystem - Kevin Green, California State Polytechnic University [Pomona] 15:00-15:30 (30min)

14:00 - 15:30 (1h30)

Recordings and their reception

C106

› Listening to Vinyl Records in the Digital Age: Expanding Musical Narratives into Listeners' Bodies - Hyunseok Kwon, Hanyang University 14:00-14:30 (30min)

› Fever on Recordings: Theorising Fashao Audiophile Culture and Localized Sound Practice in Post-Mao China - DENG Haoxian, Hong Kong Baptist University 14:30-15:00 (30min)

› No shame, no scandal: four French recordings of a Caribbean track - Barbara Lebrun, The University of Manchester 15:00-15:30 (30min)

14:00 - 15:30 (1h30)

Recording practices, mediations and intermediaries

C204

› PANEL - Metal Zines: Recording the Underground - Gerome Guibert, Université Sorbonne Nouvelle - Owen Coggins, Brunel University of London - Catherine Guesde, Université Paris 8 14:00-15:30 (1h30)

14:00 - 15:30 (1h30)

Recording as a text for analysis

C203

› ROUNDTABLE - Recording Leonard Cohen - David Shumway, Carnegie Mellon University [Pittsburgh] 14:00-15:30 (1h30)

14:00 - 15:30 (1h30)

Sound recording as an investigative technique or as writing

C109

› Cultural record: music album as a teaching method in social sciences - Smółka Maciej, Uniwersytet Jagielloński w Krakowie = Jagiellonian University 14:00-14:30 (30min)

› L'usage des enregistrements discographiques, cassettes, et numériques dans les processus d'enseignement-apprentissage de la musique de gaita larga colombienne (1980 à aujourd'hui). - Arihana Villamil, École des hautes études en sciences sociales 14:30-15:00 (30min)

› Recording practices as mediation for teaching music production: adverse learning environments and students' agency - Bonetti Lucas, Federal University of Bahia 15:00-15:30 (30min)

14:00 - 15:30 (1h30)

From recording to data and streaming platforms

C110

› How diverse are music streaming platforms? A comparison with radio broadcasters in Europe - Daniel Bedoya, Groupe d'Études et de Recherche Interdisciplinaire en Information et COmmunication - ULR 4073 - Antoine Henry, Groupe d'Études et de Recherche Interdisciplinaire en Information et COmmunication - ULR 4073 14:00-14:30 (30min)

› From Listening to Connection: The Evolution of Chinese Digital Music Platforms for ‘Online Music Socializing' - Manlin Wang, Communication University of China 14:30-15:00 (30min)

› The Work of the Album in the Age of Streaming Platforms - Jack Melton, University of Melbourne 15:00-15:30 (30min)

14:00 - 15:30 (1h30)

Recording instruments

C111

› Enregistrer l'harmonica : questions de méthodes et d'identités sonores - Alexandre PIRET, Université de Liège, Vrije Universiteit Brussel [Bruxelles], Fonds National de la Recherche Scientifique [Bruxelles] 14:00-14:30 (30min)

› What makes a violin sound folk in style? Some considerations based on fieldwork in Castilla y León (Spain), the creation of a multimedia glossary and musical recordings - Ainhoa Muñoz, Musicology Department. Complutense University of Madrid 14:30-15:00 (30min)

› Symmetrical and Asymmetrical Drum Recording Techniques, Ways to approach polarity and phase in Drum recordings. - Jose Cubides Gutierrez, Academy of Contemporary Music - Ed Hendry, Academy of Contemporary Music 15:00-15:30 (30min)

14:00 - 15:30 (1h30)

Film music and musical cinema

C115

› Multitracking a Harmony for Ethnic–National Identities, Cosmopolitanism and Transnational Modernity: Re-storying an ‘Unpopular' History of Film Music in Malaysian Cinema - Ow Wei Chow, Universiti Putra Malaysia - Ken Hor, Inner Voices Productions 14:00-14:30 (30min)

› The intermediation of Spanish musical cinema in the debate on flamenco: two films starring singers Antonio Molina and Rafael Farina - CELSA ALONSO, Universidad de Oviedo = University of Oviedo 14:30-15:00 (30min)

› Hawai‘i in Stereo: Cinerama, Stereophonic Sound, and Hawaiian Statehood - Manan Desai, University of Michigan 15:00-15:30 (30min)

14:00 - 15:30 (1h30)

Environment and ecology

C116

› Recording Environmental Shifts in Popular Music: The Long View - Kathryn Cox, Liverpool Hope University 14:00-14:30 (30min)

› "Mother Nature, You're Just Showing Off Now" – A Wildlife Documentary Turned Pop Recording - Helene Elisabeth Heuser, Justus-Liebig-Universität Gießen 14:30-15:00 (30min)

› Low Carbonism Music - Kyle Devine, University of Oslo, University of Winnipeg 15:00-15:30 (30min)

15:30 - 16:00 (30min)

Coffee break

16:00 - 17:30 (1h30)

Politics and counterculture

C106

› Monterey, Woodstock, Maui: Jimi Hendrix video recordings as countercultural communal representation - Victor Arul, Harvard University 16:00-16:30 (30min)

› Making Politics, Recording Records: an Atlas of Antagonist Discography - Jacopo Tomatis, Università degli studi di Torino = University of Turin 16:30-17:00 (30min)

› Sounding Divides: Recorded Music and Affective Polarization in Protest Movements - Melanie Schiller, Radboud university [Nijmegen] 17:00-17:30 (30min)

16:00 - 17:30 (1h30)

Cover versions

C109

› Sous l'enregistrement la musique. Enjeux ontologiques et esthétiques de la reprise acoustique. - Thomas Mercier-Bellevue, Centre Victor Basch, Académie de Lille 16:00-16:30 (30min)

› How TikTok is “speding-up” the popular music industry: creators, practices and virality of the sped-up remix versions - Eduardo Vinuela, Universidad de Oviedo = University of Oviedo - Cande Sánchez-Olmos, University of Alicante 16:30-17:00 (30min)

› “Make the World Great Again”: Laibach and the re-recording of popular music classics as totalitarian anthems - Kimi Kärki, Uniarts Helsinki 17:00-17:30 (30min)

16:00 - 17:30 (1h30)

Uses of recordings and dance practices

C110

› The Semiotic Power of Techno Music: An Ethnography Exploration - Michele Dentico, Università degli Studi di Roma "La Sapienza" = Sapienza University [Rome] 16:00-16:30 (30min)

› Plena and the influence of recordings in traditional urban Puerto Rican music - Javier Silvestrini, University of Music and Performing Arts Vienna 16:30-17:00 (30min)

› L'enregistrement sonore, une réévaluation phénoménologique en danse flamenca - Corinne Frayssinet Savy, Institut de Recherche en Musicologie, Représenter, Inventer la Réalité du Romantisme à lÁube du XXIe siècle 17:00-17:30 (30min)

16:00 - 17:30 (1h30)

Recording popular music and global cultural diversity

C113

› Home Is Where the #Shanties Are: Recording Songwriters, Rockers, and Shanty Bands in Cornwall - Nicholas Booker, The Ohio State University [Columbus] 16:00-16:30 (30min)

› The Impact of Socioeconomic Development on Hong Kong's Recording Studios: 1997-2024 - Edmond Tsang, Hong Kong Baptist University 16:30-17:00 (30min)

› A Historical Analysis on the Evolution and Cultural Significance of Jazz Recordings in 20th-Century Shanghai - Wenyu Tao, Shanghai Conservatory of Music 17:00-17:30 (30min)

16:00 - 17:30 (1h30)

From recording to data and streaming platforms

C115

› Towards AI-mediated Interactive Listening on the Streaming Platform as a New Hybrid Media - Hiroko Nishida, Faculty of Design, Kyushu University 16:00-16:30 (30min)

› Reshaping Music Recording in the Age of Digital Streaming - MIaoju Jian, National Chung-Cheng University 16:30-17:00 (30min)

› From Market Disruptions to Real Transformation. The Promise of Democratising Recording Industries in the Age of Platform Capitalism. - Juho Kaitajärvi-Tiekso, Tampere University 17:00-17:30 (30min)

16:00 - 17:30 (1h30)

Varia/Outside of conference theme

C116

› Music, identity and community in depopulated Spain: a map of festivals - Héctor Fouce, Universidad Complutense de Madrid = Complutense University of Madrid [Madrid] 16:00-16:30 (30min)

› Taking Astrology Seriously: Ethnomusicological Approaches to Music, Healing, and the Alignments of the Cosmos - Jose Vicente Neglia, University of Hong Kong 16:30-17:00 (30min)

16:00 - 17:30 (1h30)

K-Pop

C203

› PANEL - K-pop in Aotearoa/New Zealand - Kirsten Zemke, University of Auckland - Sun Koo - Sophia Santillan 16:00-17:30 (1h30)

16:00 - 17:30 (1h30)

Recording practices, mediations and intermediaries

C204

› ROUNDTABLE - Independence in 21st Century Popular Music: Recording, Live Performance, and Economy - Shannon Garland, University of Pittsburgh - Marcia Tosa Dias, Universidade Federal de São Paulo - Mike Levine, Christopher Newport University - Ana Maria Diaz Pinto, University of California [Davis] - MIaoju Jian, National Chung-Cheng University - Pedro Blechior Nunes, Universidade Nova de Lisboa = NOVA University Lisbon 16:00-17:30 (1h30)

Planning