Enregistrer les musiques populaires - Recording popular music

8:30 - 8:45 (15min)

Welcome

8:45 - 10:15 (1h30)

Recordings and their reception

C106

› Seeing reggaeton through the lenses of Spanish music criticism - Marina Arias Salvado, Universidad Complutense de Madrid = Complutense University of Madrid [Madrid] 08:45-09:15 (30min)

› Rethinking Sound Hyperreality in Popular Music Studies - Roquer Jordi, Universitat Autònoma de Barcelona = Autonomous University of Barcelona = Universidad Autónoma de Barcelona 09:15-09:45 (30min)

› Recorded Music and the Policing of Multivocality: The Case of Fousheé - Chris Tonelli, University of Groningen 09:45-10:15 (30min)

8:45 - 10:15 (1h30)

Recordings and politics

C115

› Rock In Opposition: bringing together ideology and aesthetics in the recording studio - Jacopo Costa, ACCRA 08:45-09:15 (30min)

› “Not a tank, but a Recreational Utility Vehicle” The use of popular music by the conflict partners' armies in the ongoing Russian war on Ukraine - David-Emil Wickström, Popakademie Baden-Württemberg 09:15-09:45 (30min)

› The rebellion power of pop - An exploration of popular music in Hong Kong during abeyance after 2019 movement - Sharon Lam, University of Leeds 09:45-10:15 (30min)

8:45 - 10:15 (1h30)

Recording and the music economy

C203

› PANEL - Recording at the Intersection of Film Music and Popular Music: Patterns of Production, Consumption and Commodification in the Golden Age of Italian Cinema (1958-76) - Corbella Maurizio, Università degli Studi di Milano = University of Milan - Alessandro Bratus, Università degli Studi di Pavia = University of Pavia - Guglielmo Bottin, Alma Mater Studiorum Università di Bologna = University of Bologna - Alessandro Cecchi, University of Pisa - Università di Pisa - Giuliani Danieli, Università degli Studi di Milano = University of Milan - Martin Nicastro, Università degli Studi di Pavia = University of Pavia 08:45-10:15 (1h30)

8:45 - 10:15 (1h30)

Recordings and their reception

C204

› PANEL - Proposing, Writing and Editing for Bloomsbury's 33 1/3 Series - Samantha Bennett, The Australian National University - Fabian Holt, Roskilde Universitet [Roskilde] - C.C. McKee, Bryn Mawr College - Jacopo Tomatis, Università degli studi di Torino = University of Turin - Brooke Okazaki, Carleton College 08:45-10:15 (1h30)

8:45 - 10:15 (1h30)

Sound recording as an investigative technique or as writing

C110

› Recording the Groove of Gammeldans: Experimental and artist-led techniques to explore timing in accordion dance music virtuosity - Daniel Fredriksson, Dalarna University - Totte Mattsson, Dalarna University 08:45-09:15 (30min)

› Recording material conditions of rehearsal space as a methodological strategy - Martin Lussier, Université du Québec à Montréal = University of Québec in Montréal 09:15-09:45 (30min)

› Vernacular Modernism during the Birth of Recording: Computational Approaches to the History of Tin Pan Alley - Samuel Backer, University of Maine 09:45-10:15 (30min)

8:45 - 10:15 (1h30)

Recording popular music and global cultural diversity

C113

› (Re)Covering the “Empire”? Hyperphonography and identity in Latin American tribute bands of the Spanish folk metal group Mägo de Oz - Diego Garcia-Peinazo, Facultad de Filosofía y Letras - Universidad de Córdoba 08:45-09:15 (30min)

› Musical Diaspora and Cultural Identity: Examining the Journey of Más allá de la Bossa Nova - Ana Barbosa, University of Barcelona 09:15-09:45 (30min)

› 1968 "Non illuderti mai" translation and permutation of a pop song in the Italian, French and English Environment - Santoro Lorenzo, S. Giacomantonio 09:45-10:15 (30min)

8:45 - 10:15 (1h30)

Recording as a text for analysis

C116

› Les lost sessions comme répertoire d'analyse : l'exemple des séances de Miles Davis au Columbia studio en 1978. - Guillaume Dupetit, Littératures, Savoirs et Arts - Kevin Dahan, Littératures, Savoirs et Arts 08:45-09:15 (30min)

› First recordings of Punto cubano: sound recordings as a source of study - Amaya Carricaburu Collantes, Valencia International University 09:15-09:45 (30min)

› Aspects of Tactus in Early Country Blues Recordings: Technical and ethical considerations - William Echard, Carleton University 09:45-10:15 (30min)

8:45 - 10:15 (1h30)

Recording practices, mediations and intermediaries

C109

› From Big Bands to Urban Emotional Staging: The Importance of Acoustic Space in Recording and Technological Shifts in Reggaeton Production in Medellín - Carlos Caballero, Institución Universitaria ITM 08:45-09:15 (30min)

› Sound Media As Transmediating Tools: Popularizing Litgit (Bowed Bamboo Instrument) Music of the Panay Bukidnon Indigenous Community Through Recording-Based Pedagogical Materials and Contemporary Music - JOSE JR. TATON, University of the Philippines Visayas 09:15-09:45 (30min)

› Fetishism and retro-technology in digital native music producers: Connections between Spain and Latin America - Carlos Caballero, Institución Universitaria ITM - Marco Juan de Dios Cuartas, Universidad Complutense de Madrid 09:45-10:15 (30min)

8:45 - 10:15 (1h30)

Recording and gender studies

C111

› “Uncle Johnny Made My Dress”: Beyoncé, Renaissance, and Capitalization of Black Queer Cultures - Lauron Kehrer, Western Michigan University [Kalamazoo] 08:45-09:15 (30min)

› Silent No More: The Power of Women's Voices in Recordings of Local Traditions - Julia Escribano, Universidad de Valladolid 09:15-09:45 (30min)

› “¿Me sabrán disculpar si me pongo bélica?”: Empowerment, sexuality and deception according to Cazzu and La Joaqui - Guido Saa, Instituto de Investigaciones Gino Germani [Buenos Aires], Facultad de Ciencias Sociales [Buenos Aires] 09:45-10:15 (30min)

10:15 - 10:45 (30min)

Coffee break

10:45 - 11:30 (45min)

Keynote session: Culture, Commerce, and Authenticity: Black British Recordings in Context

Amphithéâtre

Mike Alleyne

11:30 - 11:45 (15min)

Break

11:45 - 13:15 (1h30)

Recording as a medium

C203

› PANEL - Recording(s) as Episteme. How sound carriers shape(d) Popular Music Studies at Humboldt University Berlin - Christina Dörfling, Humboldt University, Berlin - Penelope Braune, Humboldt University, Berlin - Christopher Klauke, Max Planck Institute for the History of Science 11:45-13:15 (1h30)

11:45 - 13:15 (1h30)

Recording practices, mediations and intermediaries

C204

› PANEL - Cassette cultures in South America - Laura Jordan Gonzalez, Pontificia Universidad Católica de Valparaíso - Javier Rodríguez Aedo, Pontificia Universidad Católica de Valparaíso - Julio Mendívil, Universität Wien - Marita Fornaro, Universidad de la República 11:45-13:15 (1h30)

11:45 - 13:15 (1h30)

Joni Mitchell

C106

› It Sounded Like Applause: Music, Sound and Imagined Lives in Joni Mitchell's Inside Songs - Richard Elliott, Newcastle University [Newcastle] 11:45-12:15 (30min)

› "Lesson in Survival: Joni Mitchell Goes Her Own Way, Again" - Norma Coates, University of Western Ontario 12:15-12:45 (30min)

› “Remixing ‘Marcie': Comparing Recordings of Joni Mitchell's Early Style” - Taylor Greer, Pennsylvania State University 12:45-13:15 (30min)

11:45 - 13:15 (1h30)

Recordings and their reception

C110

› The absence of music (recordings): Student responses to a ‘No Music Listening Challenge' - Rebecca Rinsema, Northern Arizona University [Flagstaff] 11:45-12:15 (30min)

› The recording of popular music in graphic novels: approach to three cases - Cristian Guerra-Rojas, Universidad de Chile = University of Chile [Santiago] 12:15-12:45 (30min)

› TikTok and Hyperlistening: The Transmedial Modular Materiality of Pop in the Age of Social Media - Anders Reuter, Lund University 12:45-13:15 (30min)

11:45 - 13:15 (1h30)

History of the phonographic industry

C109

› The jazz record on BBC radio 1922 to 1972 - Tim Wall, Birmingham City University 11:45-12:15 (30min)

› Traces phonographiques de la vie musicale au Québec : les registres de la compagnie Compo, 1921-1949 - Sandria P. Bouliane, Université Laval 12:15-12:45 (30min)

› Toward a genealogy of quantization and post-production in popular music: The proto-digitality of piano roll production. - Steffen Just, Universität Bonn = University of Bonn 12:45-13:15 (30min)

11:45 - 13:15 (1h30)

Recording and liveness, recording and performance

C111

› Phaedra at 50 and the band as brand: heritage, nostalgia, legitimacy, and aura - Chris Anderton, Southampton Solent University 11:45-12:15 (30min)

› The New Album Europe Tour 2025 - Sydney Schelvis, University of Amsterdam [Amsterdam] = Universiteit van Amsterdam 12:15-12:45 (30min)

› Musical Asceticism in Kino's Recordings and Re-recordings - Sangheon Lee, Gustave Eiffel University 12:45-13:15 (30min)

11:45 - 13:15 (1h30)

Recording as a sound processing technique

C116

› Human After All: Giorgio Moroder, Daft Punk's Random Access Memories, and the discourse on technology and creativity in record production - Carlo Nardi, Free University of Bozen-Bolzano 11:45-12:15 (30min)

› Malfunction as Queer Failure: The Anti-Telos of the Glitch - Rory Fewer, University of California [Riverside] 12:15-12:45 (30min)

› Nostalgia for a Past That Never Existed? The use of analog gear when there are other options available - Jeremy Vachet, Laboratoire des Sciences de l'Information et de la Communication 12:45-13:15 (30min)

11:45 - 13:15 (1h30)

Online live music

C115

› Platformization and Enjoyment of Live-streamed Music Events - Francesco D'Amato, Università degli Studi di Roma 11:45-12:15 (30min)

› Being Live in the Metaverse: Recorded Music in the Age of Web 3.0 - Vincent Granata, Nantes Université - UFR Lettres et Langages 12:15-12:45 (30min)

› Fifty shades of the same song. Music circulation and versioning in the age of the Web - Loïc Riom, Université de Lausanne = University of Lausanne 12:45-13:15 (30min)

11:45 - 13:15 (1h30)

Recording popular music and global cultural diversity

C113

› Embodying Memory Through Music: The Finnish Tatars - Ayhan Erol, Dokuz Eylül University 11:45-12:15 (30min)

› The Sampling and Production of Beats in Hip-hop Music and the Reflection of Chinese Music Elements in Hip-hop Music Production - ZiQi Xu, Shanghai Conservatory of Music 12:15-12:45 (30min)

› "Mighty Dreams & Southern Scenes: Listening to Pharrell Williams, Black Virginians and Ambition” - Danielle Davis, Florida State University [Tallahassee] 12:45-13:15 (30min)

13:15 - 14:30 (1h15)

Lunch

14:30 - 16:00 (1h30)

General Meeting

Amphithéâtre

IASPM

16:00 - 16:30 (30min)

Break

16:30 - 18:00 (1h30)

Recording and artificial intelligence

C106

› Slime, Resonance, and Recording: on Slime Language (2018) - L Holland, University of Bristol [Bristol] 16:30-17:00 (30min)

› The Emergence and Potential Decline of Cloud-Based Sample Platforms - Vemund Hegstad Alm, University of Oslo - Ragnhild Brøvig, University of Oslo 17:00-17:30 (30min)

› Protecting Human Creativity in AI-Generated Music with the Introduction of an AI-Royalty Fund - Sabine Jacques, University of Liverpool - Mathew Flynn, University of Liverpool 17:30-18:00 (30min)

16:30 - 18:00 (1h30)

Recording popular music and global cultural diversity

C203

› PANEL - Decentering Popular Music Studies: Transnational Flows and Global Agencies in Asia - Adil Johan, University of malaya - Xin Ying Ch'ng, UCSI University - Lara Katrina Mendoza, Ateneo de Manila University 16:30-18:00 (1h30)

16:30 - 18:00 (1h30)

Recording as a sound processing technique

C204

› PANEL - Audio and Sound Engineering as Process: Inclusive Pedagogies of Technology, Music and Production - Amandine Pras, Conservatoire national supérieur de musique et de danse de Paris - Liz Przybylski, University of California, Riverside - Emmanuelle Olivier, Centre Georg Simmel - Kolawole Ganikale, University of York - Jordie Shier, Queen Mary, University of London 16:30-18:00 (1h30)

16:30 - 18:00 (1h30)

Recording practices, mediations and intermediaries

C109

› Cleaning Up Rap Recordings for Radio - Amy Coddington, Amherst College 16:30-17:00 (30min)

› EBOY1: Ellen plays bass - Tobias Marx, University of Erfurt 17:00-17:30 (30min)

› “Tone is in the Hands!” - The Narrative (De-)Construction of Guitar Recording Myths, exemplified on the YouTube Channel SpectreSoundStudios - Sidney König, Carl Von Ossietzky Universität Oldenburg = Carl von Ossietzky University of Oldenburg 17:30-18:00 (30min)

16:30 - 18:00 (1h30)

Recording and liveness, recording and performance

C110

› Collaborative composition approaches for Balinese gamelan on screen and stage - Joshua Robinson, Australian National University 16:30-17:00 (30min)

› ‘And a little Baile Funk' – writing formulaic songs in standardised environments? Songwriting camps and the writing of Eurovision Song Contest entries - Katherine Williams, University of Huddersfield - Carsten Wernicke, Leuphana University Lueneburg 17:00-17:30 (30min)

› Heilung's Lifa: the audiovisual experience in a performance's recording - Elise Girard-Despraulex, Faculté de musique - Université Laval, CEAC - Université de Lille 17:30-18:00 (30min)

16:30 - 18:00 (1h30)

Recording popular music and global cultural diversity

C113

› Capturing Authenticities: The Nueva Canción of the Southern Cone Between Archiving the Marginalized and Disseminating Emancipatory Discourses - Annika Rink, Universität Kassel [Kassel] 16:30-17:00 (30min)

› Alternative Expressions of Chineseness: Dow Wei's Electronic Dance Music - Ko-Hua Hung, University of California , Davis 17:00-17:30 (30min)

› A Missão de Pesquisas Folclóricas : la pratique de l'enregistrement comme résistance aux silences postcoloniaux dans la formation des musiques populaires brésiliennes au XXe siècle - Chloé NAMBOT, Université fédérale du Parana, Curitiba - département de philosophie (janvier 2023-juin 2023), Centre Atlantique de Philosophie 17:30-18:00 (30min)

16:30 - 18:00 (1h30)

Music in times of COVID

C111

› Familiarity Breeds Content: Tom Rosenthal, Viral Nostalgia, and a ‘Home' for Coronamusic. - Lou Aimes-Hill, University of Leeds 16:30-17:00 (30min)

› “Please Tag Me!” Platformization Practices of Busking in Times of the (Post)Pandemic - Ptatscheck Melanie, New York University | Leuphana University Lüneburg 17:00-17:30 (30min)

› Coffee Shop Ambience Music Videos. Suggestion and emotional self-care during the Coronavirus pandemic - Sara Revilla Gútiez, Escola Superior de Música de Catalunya 17:30-18:00 (30min)

16:30 - 17:30 (1h)

Recordings and their reception

C115

› “I was singing to the Rolling Stones as soon as I could talk”: Contemporary Learning of the Rock Canon - Charlotte Markowitsch, Royal Melbourne Institute of Technology University 16:30-17:00 (30min)

› Joteria Listening: Oral History, Pop Music in Spanish, and Listening Practices of LGBTQ Latinx (Jotería) Communities in Los Angeles - Eddy Francisco Alvarez Jr, California State University [Fullerton] 17:00-17:30 (30min)

16:30 - 18:00 (1h30)

From recording to data and streaming platforms

C116

› “Nostalgic Echo”: Why Do Chinese Adolescents Prefer Low-Quality Audio of Henan Opera? - Shang Gao, Communication University of China 16:30-17:00 (30min)

› Echoes of the Past: Lo-fi Hip Hop in the Streaming Age and New Listening Trend - Kyoung Hwa Kim, Hanyang University - Suin Park, Hanyang University 17:00-17:30 (30min)

› Nostalgia Mode At Play: Saltburn Club Nights and The Shaping of a Platformed Past - Max Kaplan, University of Wisconsin-Madison 17:30-18:00 (30min)

Planning